Welcome to Tracie's Movie Blog, where it's all movies, all the time

Sunday, September 23, 2012

Top 5 - Comedies

As much as I adore musicals, and westerns, and romantic dramas, I love me a really good funny movie.  One that makes me erupt in loud guffaws and break out in joyous tears.  Sadly, there are darn few of those anymore - most of today's comedians seem to go for the lowest common denominator (Yes, I'm talking about you, Will Ferrell and Adam Sandler).  So today's edition of Top 5 focuses on my favorite movie comedies.

It's a Mad Mad Mad Mad World (1963) - A group of motorists witness a car over a ledge.  As they go to the scene to check it out, they discover Jimmy Durante who has been ejected and is just a few moments away from kicking the bucket.  Before he does, he tells them about a treasure in loot that he has hidden "Under the big W."  From there, it's every man for himself as they try to outrun and outwit each other and be the first to find the buried treasure.  The movie stars the great Spencer Tracy, and every comic then known, with a host of others in cameo performances. It's flat-out hysterical. I love it.







One, Two, Three (1961) - Written and directed by Billy Wilder, this satire is about Coca-Cola's man in Berlin at the beginning of the 1960's. He's assigned to keep tabs on the boss's daughter, who has just eloped with a communist from East Berlin. Can he fix the situation before his Boss arrives? 

The movie stars Jimmy Cagney as the Coca-Cola exec, and Horst Buchholz as the communist. The dialog is spoken at break-neck speed, and hilarity ensues, with all sorts of jokes skewering communists and capitalists alike.  Make sure to pay attention for some small tributes to movie history, too.  You will definitely laugh out loud.

(Special note: With this one, it helps to have some understanding of history and of the Cold War)



To Be or Not to Be (1942) - Jack Benny and Carole Lombard star as married Jewish actors Josef and Maria Tura.  She rendezvous with a young military officer during his Hamlet soliquoy, at which point they become aware of a Nazi plot to overthrow the Polish resistance. Then they must use all of their acting skills to defeat a Nazi spy. It's pointed social satire and hysterically funny.  It's a pointed and hysterical satire of the Nazis. Director Ernst Lubitsch had a long career spanning from Silents to Talkies, and of all his comedy classics ("Ninotchka", and "The Shop Around the Corner" among them), this is his comedy masterpiece.






Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) - The title of this movie alone  should let you know that you're in for something.  In it, an insane Air Force General sets off the process for nuclear war, while various politicians and military personnel from both sides try to stop it.  Sounds deadly serious - I mean how could a movie about nuclear war be funny, especially if it's directed by Stanley Kubrick, right?  Wrong. This movie is flat out hysterical.  For one thing, it has the great Peter Sellers, playing four different parts, and for another, it has Slim Pickens putting on his best rodeo.  Political, satirical, and very very funny.

(Tip: Watch for a young James Earl Jones as a member of the flight crew.)



The More the Merrier (1943) - It's World War II, and there's a housing shortage in Washington, D.C.  Jean Arthur has an apartment and puts half of it up for rent. Charles Coburn (in an Oscar-winning performance), with a little trickery, rents it, then proceeds to rent half of his half to Joel McCrea, without telling Arthur.  All sorts of awkward situations occur, as the three try to maneuver around each other. While all this is going on, Coburn is also trying to play matchmaker for the other two - it also has one of the steamiest scenes of a movie from that era, and how it ever made it past the production code, I'll never know.  Funny, funny, funny, and my favorite Jean Arthur movie.  

(Tip: Aside from the aforementioned steamy scene, watch for the one where Jean Arthur is explaining the next morning's schedule to Charles Coburn. Hysterical!)









Friday, September 21, 2012

Classic Character - Joan Blondell

During the decade of the 1930's, if there was anyone who epitomized the brassy blonde, it was Joan Blondell.  No dumb blonde this one, she was fast talking, smart, and funny, and always a step ahead of you.  And while she was big in the 30's, her career spanned over 40 years.  I happened on a few of her movies recently, and she is definitely deserving of the title "Classic Character".  Check her out in these:

Gold Diggers of 1933 (1933) - Joan shares an apartment with a group of chorus girls. Their composer neighbor Dick Powell is in love with Joan's roommate Ruby Keeler. Unbeknownst to them, neighbor boy is heir to a family fortune, and his interfering brother, played by Warren William, comes to New York to try to bust up the romance.  He thinks that Joan is Ruby, and this begins an elaborate case of mistaken identity. A very funny movie, and she's great in it.





A Tree Grows in Brooklyn (1945) - notable for being the first picture directed by Elia Kazan, it's the sentimental story of a young girl growing up in Brooklyn in the early 1900's, and the challenges faced by her and her family. Joan plays Aunt Sissy, sister to Mother Dorothy McGuire. Although adored by her niece and nephew, her sister doesn't consider her the finest example, as Sissy has had 3 different husbands, all of whom she has called "Bill". It's a terrific role, filled with humor and understanding. I think it's her best work.




The Cincinnati Kid (1965) - Steve McQueen is a young card-playing phenom, who wants to be the greatest poker-player ever. Edward G. Robinson is the grand old man of the game, and Joan Blondell is Lady Fingers, well-known in New Orleans, and a supporter of The Kid. It is she who will end up dealing the hand in their final confrontation.